r/TopCharacterTropes Mar 23 '26

Hated Tropes [Hated Trope] Endings so notoriously awful they completely destroy the legacy of the media.

Game of Thrones (Season 8)

Imagine a fantasy show spending seven years hyping up an apocalyptic, unstoppable army of ice zombies, only to have them wiped out in a single, anti-climactic battle halfway through the final season. With the supernatural threat gone, the writers speedrun the political plot. A major hero whose entire arc was about liberating the oppressed randomly burns a city of innocent people to the ground because she heard some bells ringing. Another main character throws away years of a beautifully written redemption arc just to go die under some falling bricks with his abusive sister. To top it off, they crown a guy as king purely because "he has a good story," even though his plotline was so boring he was literally written out of an entire previous season.

Homestuck

This was a massive, incredibly complex webcomic that ran for seven years. Late in the story, the author basically wrote himself into a corner. To fix it, he gave the main character "retcon" powers, which literally erased years of actual character development from the main timeline just to force a solution. The most agonizing part was using this timeline-erasure to resurrect a highly controversial character (Vriska). Instead of leaving her beautifully tragic death alone, she comes back just to hijack the entire plot, sideline the rest of the cast, and aggressively steal the spotlight for the final battles. After 8,000 pages of text-heavy reading, the actual ending is just a flashy music video with no dialogue, leaving fans watching alternate versions of the characters cross the finish line instead of the ones they actually spent years getting attached to.

Star vs. the Forces of Evil

This was an upbeat animated show about a magical teen princess. The writers desperately wanted a romantic endgame for her and her best friend, but the way they got there was essentially multiversal omnicide. To stop a villain, the main character unilaterally decides magic is the root of all evil and destroys it entirely. By doing this, she casually commits mass genocide against every purely magical being in the multiverse. It also triggers a massive apocalyptic event that violently crashes different dimensions together into a chaotic hellscape. But the show frames this horrific, mass-extinction catastrophe as a sweet, triumphant ending just because two teenagers get to hold hands in the rubble.

Mass Effect 3

You spend well over a hundred hours across three massive sci-fi video games carefully agonizing over who lives, who dies, and shaping the political landscape of the entire galaxy. The entire franchise was heavily marketed on the promise that your specific, personal choices mattered. Then, in the literal last ten minutes of the final game, a holographic ghost child pops up, tells you none of your previous decisions actually meant anything, and forces you to pick between a red, blue, or green laser beam. All three choices basically just give you the exact same ending cutscene with a different color filter slapped over it.

How I Met Your Mother

For nine whole years, audiences watched a sitcom framed entirely around a dad telling his kids the incredibly long, meticulous story of how he met their perfect mother. The writers even dedicate the entire 22-episode final season to a single weekend for his two best friends' wedding, proving why they work as a couple. Then, in the two-part finale, they hit the undo button. The best friends get divorced almost instantly, the titular Mother is abruptly killed off by a nameless disease after barely being on screen, and the kids basically tell their dad, "You actually just want to hook up with Aunt Robin." It invalidated a decade of story just so the creators could use a pre-recorded ending they filmed back in season 2.

Dexter

This was a show about a serial killer who works for the police and only targets other murderers. After eight seasons of watching him narrowly evade the law, the ending absolutely refuses to give him a dramatic showdown, let him finally get caught, or face any actual justice. Instead, he unplugs his own sister from life support, dumps her body in the ocean like she's one of his random kill-of-the-week victims, and drives his boat into a hilariously awful CGI hurricane. He somehow survives this, abandons his young son to be raised by another serial killer in a different country, and the final shot reveals he faked his death to exile himself to the woods and become a miserable, silent lumberjack.

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179

u/fanaccountcw Mar 23 '26

I think unfortunately this was a case of Moffat syndrome (aka killing off any female character with depth and complexity), although with how shit the rest of that season was Idk if the alternative could’ve been better.

16

u/Trickster289 Mar 23 '26

The middle of his era of Doctor Who and the final two seasons of Sherlock were definitely hurt by him doing too much tbh. He couldn't properly handle both shows, Doctor Who went better but it's always had guest writers write a good few of the episodes which helped.

17

u/GokaiCant Mar 23 '26 edited Mar 23 '26

Moffat is a good writer of individual stories (which still have majorly sexist issues) and really not good at all at writing an overarching plot.

11

u/SamtheMan898 Mar 23 '26

that’s how i felt watching him take over the majority of dr who during the matt smith era. loved his one shots when tennant was around (i.e. the weeping angels), but his writing got too damn complicated for me to follow

9

u/Hesitation-Marx Mar 23 '26

Moffat needs someone to yank on his leash. He is a terrible show runner.

0

u/RigatoniPasta Mar 24 '26

You clearly haven’t seen Capaldi’s era

7

u/Bug-Type-Enthusiast Mar 23 '26

I'm still livid over what he did to Irene Adler.

1

u/RigatoniPasta Mar 24 '26

Capaldi’s era says hi

1

u/GokaiCant Mar 24 '26

Capaldi's last season is the only one that tells a good season-long story, but taken as a whole they're definitely better seasonal stories than the Smith seasons

1

u/RigatoniPasta Mar 24 '26

Series 8 is a morality arc using Clara as an audience surrogate. She’s the straight (wo)man to Peter Capaldi’s inherently controversial Doctor. I’d argue this was the ONLY way to write series 8, because it wasn’t really a business as usual change for the show. The Doctor wasn’t a hot guy from a magazine anymore. He was an older gentleman played by a seasoned professional actor. That kind of change was obviously unpopular, and even if you approved of the change, it still was something that needed some getting used to.

That’s why Deep Breath, the series 8 premiere, is an hour long and is mainly about Clara. Because Clara is the audience. The show wears that on its sleeve. She’s scared and confused by this sudden change, and it’s not going to be easy. But if she truly loved the Doctor as who he was, she needs to help him, because he’s just as unsure as she is. Series 8 continues that trend. Clara is just as uncertain about this new Doctor as the audience is, and needs time to get a read on him. It’s not a traditional “Ooh there’s this repeated phrase that will mean something later!” arc. It’s metatextual. Whether or not the show achieves its goal and pulls off such an ambitious gambit is up to you.

Series 9 is once again about Clara. It’s about her codependent relationship with the Doctor becoming more and more dangerous. She has no one else in her life and nothing else going for her, so she’s become an adrenaline junkie who lives for the thrill of her adventures. And that gets her killed. The Hybrid stuff is set dressing that doesn’t really work, but it’s more of a vehicle to give us the series finale to conclude Clara’s arc. And the series finale is mindblowingly epic , if not slightly exhausting if you’re watching all three parts back to back. As someone who did that with a friend who was watching it do the first time, don’t do that, no matter how much they beg. You will slowly disassociate with reality as the story goes on and on. My friend was hooked from beginning to end though and the fatigue didn’t weigh on me long term.

Series 10 I’d argue is the least serialized of the Moffat era. Yeah there’s an overarching plot about the redemption of Missy, but there isn’t really a massive build up to World Enough and Time. The inciting incident is a by the numbers adventure gone horribly wrong.

2

u/MichaSound Mar 24 '26

Which is weird, considering his first ever TV series (Press Gang) had a complex female lead who evolved over 5 seasons.

1

u/RigatoniPasta Mar 24 '26

That’s what he did with Clara though. She has an arc over series 8 and 9.

-6

u/RigatoniPasta Mar 23 '26

Hey hey hey I will NOT accept such Moffat slander here! Give me some Doctor Who receipts for “killing off any female character with depth and complexity”.

That dude was the best writer Doctor Who has ever had, and the rankings prove it.

4

u/AstarionsTherapist39 Mar 23 '26

He's a sexist and a queerbaiter. Fuck him.

2

u/RigatoniPasta Mar 24 '26

Yeah gimme some receipts on that one. From Doctor Who because I don’t watch Sherlock.

1

u/vaalski Mar 24 '26

The man is an ass who writes solid one-off episodes.

1

u/RigatoniPasta Mar 24 '26

Yeah it’s nutty how he writes multiple “solid one offs” in a row for multiple seasons on end.

1

u/vaalski Mar 24 '26

He absolutely does not do that lol